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  Elizabeth Medrano
  • Artwork
    • Paintings
      • Spaces Called Home
      • Drawings
      • Measures of Imbalance
        • Group of 13
      • Who's On Top? and What Does It Matter
    • Sculpture
      • Tools From The BoneYard
      • Bonegrowths
    • Installation
      • Forty Trees
      • Unspecified Sights
      • Blood and Thunder Trilogy
      • Leaving Myopia
    • Ancient Drawings/Pastels
      • Pastels
    • What Becomes Home
  • Events
  • About
  • Contact
  • Artwork
    • Paintings
      • Spaces Called Home
      • Drawings
      • Measures of Imbalance
        • Group of 13
      • Who's On Top? and What Does It Matter
    • Sculpture
      • Tools From The BoneYard
      • Bonegrowths
    • Installation
      • Forty Trees
      • Unspecified Sights
      • Blood and Thunder Trilogy
      • Leaving Myopia
    • Ancient Drawings/Pastels
      • Pastels
    • What Becomes Home
  • Events
  • About
  • Contact

 Who's On Top? and What's The Big Deal?
50 paintings in 50 days.

This work was inspired by workplace dynamics, seen through eyes of our environment. After years of drawing "doodles" during meetings, small works and many large paintings  materialized from several of my minibooks filled with "Meeting Notes."  The way people speak to each other, behave one way in some environments and other ways in others, and underneath often holding resentments, or a fondness that is not spoken. I feel these shapes, rocks, define, by mere juxtapositions, the fluidity of social positions and interactions people feel about themselves and others. Sometimes we seem to flow through time, status and relationships like rocks and pebbles tumbling in  stream. 
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