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  Elizabeth Medrano
  • Artwork
    • Paintings
      • Spaces Called Home
      • Drawings
      • Measures of Imbalance
        • Group of 13
      • Who's On Top? and What Does It Matter
    • Sculpture
      • Tools From The BoneYard
      • Bonegrowths
    • Installation
      • Forty Trees
      • Unspecified Sights
      • Blood and Thunder Trilogy
      • Leaving Myopia
    • Ancient Drawings/Pastels
      • Pastels
    • What Becomes Home
  • Events
  • About
  • Contact
  • Artwork
    • Paintings
      • Spaces Called Home
      • Drawings
      • Measures of Imbalance
        • Group of 13
      • Who's On Top? and What Does It Matter
    • Sculpture
      • Tools From The BoneYard
      • Bonegrowths
    • Installation
      • Forty Trees
      • Unspecified Sights
      • Blood and Thunder Trilogy
      • Leaving Myopia
    • Ancient Drawings/Pastels
      • Pastels
    • What Becomes Home
  • Events
  • About
  • Contact

Leaving Myopia, 1997, San Francisco, CA
(In Another's Presence/Absence)

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Wet/Dry Screening on steel frame, copper, ceramics, silk, opposite word (wet/dry) class poster
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Ceramics, gold lustre, fabric pillow
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Gallery view
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Ceramics, ink, feather, old quilt section, wood
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Ceramics, ink, feather, old quilt section, wood
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Ceramics, ink, feather, old quilt section, wood
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Acrylic, ink, gold on organza
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Faucet, antique quiet, ink, mirror, cup and gold dust
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View of gallery installation
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Brass/glass beads, tacks, on silk
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Grey pin-striped wool nest, with fabric, seeds, clay, gold lustre, ladder
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