ELIZABETH MEDRANO
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A Measure of ImBalance
Spaces Called Home
What Becomes Home
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Who's On Top? and What Does It Matter
13 Studio Dialogues
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Bonegrowths
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Mummies Series
Blood and Thunder Trilogy
Leaving Myopia
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Leaving Myopia
(In Another's Presence/Absence)
1997, 743 Harrison Gallery, San Francisco, CA
Wet/Dry Screening on steel frame, copper, ceramics, silk, opposite word (wet/dry) class poster
Ceramics, gold lustre, fabric pillow
Gallery view
Ceramics, ink, feather, old quilt section, wood
Ceramics, ink, feather, old quilt section, wood
Ceramics, ink, feather, old quilt section, wood
Acrylic, ink, gold on organza
Faucet, antique quiet, ink, mirror, cup and gold dust
View of gallery installation
Even Butter Didn't Melt in His Mouth (detail) Brass/glass beads, tacks, on silk
Suspended grey pin-striped wool "branch' with silk covered seeds/twigs nest for ceramic with real gold lustre sculpture, wood ladder
Home
Work
Recent Work, Roots and Rocks
Pandemic Paintings
A Measure of ImBalance
Spaces Called Home
What Becomes Home
>
Drawings
Conversations with Rocks
Who's On Top? and What Does It Matter
13 Studio Dialogues
Sculpture
>
Tools From The BoneYard
Bonegrowths
Archive
>
Archive Drawings
Archive Sculpture
>
Mummies Series
Blood and Thunder Trilogy
Leaving Myopia
Unspecified Sights
Info
Exhibitions
Bio
Resume
Contact.
Happenings
©elizabethmedrano ©elizabethmedrano