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Field Agents Collection 2025
Acrylics on ceramics, and other material.
My recent ceramic painted sculptures are a series titled, "Field Agents. " As “agents” they are involved with transmitting change or information causing an effect. I think of these Field Agents as liaisons detecting, perceiving and/or responding to the changing conditions of our world. They’re out “in the field”, observing and recording the temperature of our human exchange, the emotional ripple, and our natural environment.
The forms are drawn from organic shapes such as yams, tubers, and other roots, that develop protective points that help them find their underground paths. I’m curious about how these natural structures embody adaptation, navigation, and survival. Somehow, like root structures’ growth, as I model the clay or paint the surface, the forms seem to grow naturally, branching from a central root or idea, sometimes like the adventitious root, out of other areas. Color and surface emerge gradually, following an inner rhythm of growth. Through this process, I study a quiet intelligence in the material—how it records touch and gesture and reflects cycles of movement and transformation.
Field Agents Collection 2025
Acrylics on ceramics, and other material.
My recent ceramic painted sculptures are a series titled, "Field Agents. " As “agents” they are involved with transmitting change or information causing an effect. I think of these Field Agents as liaisons detecting, perceiving and/or responding to the changing conditions of our world. They’re out “in the field”, observing and recording the temperature of our human exchange, the emotional ripple, and our natural environment.
The forms are drawn from organic shapes such as yams, tubers, and other roots, that develop protective points that help them find their underground paths. I’m curious about how these natural structures embody adaptation, navigation, and survival. Somehow, like root structures’ growth, as I model the clay or paint the surface, the forms seem to grow naturally, branching from a central root or idea, sometimes like the adventitious root, out of other areas. Color and surface emerge gradually, following an inner rhythm of growth. Through this process, I study a quiet intelligence in the material—how it records touch and gesture and reflects cycles of movement and transformation.
Sculpture Main Tools From the BoneYard
